Lantana in Australia is a prickly weed that will concede almost all where. It grows like a web of thorns entangling whatsoever one who is drawn near. The movie lantana is exactly the same as the plant, as all the characters are intertwined in some way. Valerie Somers, a character in the movie, falls victim to an entanglement of incredulity and lies which forms the battleground on which her relationship with John breaksdown. Although Valerie states herself that home should be a sanctuary, this is not evidenced in the home archives she is experiencing at the moment with John. With the mysterious late nights of her husband John, and the departure therapy sessions she is engaging in with Patrick, Valeries capacity to trust is diminishing pickings with it her sanctuary and leading inevitably to her death. Valerie and Johns Daughter, Eleanor, was murdered a diaphysis of years before the time of the movie. John, who is a very dim and quiet man, has kept his grief to himself battling his demons alone. Valerie, a psychiatrist, goes about mournfulness the best way she thinks possible, by writing a assure about her lost daughter. The contrasting ways that John and Valerie address individually with their grief, alienates the other, which would have to be the first step in their emotional separation.
This caused their home to begin to fall apart and as Valerie says, for most it is a battleground. Valerie is a psychiatrist who is counselling a young homosexual called Patrick. Valerie is unnerved by the way Patrick speaks to her and becomes or so upset when Patrick begins talking about his gay partner, who is married, he comes e! ncumbered....with a wife. The way in which Patrick portrays married women in the sessions seems as if he is attacking her, making her... If you want to read a full essay, order it on our website:
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